ConsolesBack to top
Yamaha LS9-32 - $4,000
The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha's digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there's also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.
Yamaha M7CL -
The M7CL series is a digital live-sound console that carries on the digital evolution from the acclaimed PM1DV2 and PM5D consoles. It includes an impressive array of advanced concepts such as the "Centralogic™" control interface that makes it as easy and intuitive to use as an analog console and in-depth access management facilities that will be particularly appreciated in installations. The M7CL is familiar and comfortable to use, offering a level of convenience that overturns the preconception that "digital is difficult". A surprising range of functions that you would normally have to supply in the form of peripheral equipment is built in, and all of this is provided in a space that is dramatically less than an analog console of similar scope. The M7CL is the ideal digital mixing console for medium size live sound applications that have previously been handled by analog gear.
Yamaha PM5d-RH -
Since its release in 2004 the PM5D has become a standard for digital live mixing, and the first choice of legions of discerning engineers and sound companies throughout the world. Why? Simply because it offers extraordinary sound and versatility in a relatively small, lightweight system that is intuitive to use and delivers unmatched sound, control, and reliably without the need for additional outboard processing gear. Of course programmability and recall capability are of monumental importance in today's live sound scene as well.
SpeakersBack to top
Martin Audio LE12J - $450
is a two-way active, multi-angled enclosure fitted with a high sensitivity 12" (300mm)/ 3"
(75mm) coil driver handling low frequencies up to the 1.3kHz crossover point. High frequencies are reproduced
by a 1.4" (35mm) exit titanium diaphragm compression driver loaded by a proprietary differential dispersion 50˚-
100˚ horizontal x 70˚ vertical horn. $500/each.
Martin Audio W8LM -
The W8LM is an ultra-compact line array that meets the need for a versatile system for small/medium scale applications — including live sound reinforcement, corporate events, theatres and fixed installations. It is particularly suited to musical theatre productions that require high output from a small, visually-discreet array and is the ideal sidefill or delay system for larger-scale W8LC arrays. The W8LMD is its designated downfill.
Martin Audio WT3 -
An exceptionally efficient, high power full-range system achieving true three-way full frequency performance
from an enclosure just 28" in height. This innovative system brings superb sound reproduction to the largest
The powerful 15" (380mm) low frequency driver with innovative heat exchange system is complemented by
mid-range and high frequencies generated by sophisticated compound mid-high horn configuration, designed to
have matched constant Q, 65˚ horizontal dispersion patterms. The WT3 can be used as a stand-alone system
or arrayed in multiples.
Where ultra-low frequency enhancement is required, a Wavefront Series sub-bass system can be used in
conjunction with the WT3 and a DX1.5 or DX2 controller to extend the power bandwidth to below 35Hz.
Martin W8LC -
The W8LC compact line array is designed for medium-tolarge scale touring and installation applications — ranging from arenas and sports stadiums to theatres and concert halls. A 3-way all-horn design, its Hybrid™ low frequency section marries the very high efficiency of horn loading with the extended low frequency response of a reflex enclosure. The W8LCD Downfill has wider horizontal coverage for the front rows